About halfway through the men’s Olympic ice skating short program, my husband looked up from his laptop and said, “This is so subjective it’s not even funny.”
At the time, I argued that it wasn’t as subjective as he thought, since clearly the skaters are rated on required elements that definitely have a proper way to be performed. After a few days of thought, I concede that figure skating is quite subjective in comparison to many of the other winter sports. There’s not much need for opinion in speedskating or cross-country skiing, for instance. Apolo Ohno either crosses the line first or he doesn’t; Johnny Spillane either lays down the second-best finishing time or he doesn’t. This subjectivity combined with the new scoring system can make it hard for the average viewer to figure out what’s going on with the judging. I’m still trying to figure out how Johnny Weir placed behind both Patrick Chan and Stephane Lambiel.
I find I’m not much for the frippery and froufery of skating. Wave your arms around as gracefully as you want and bedazzle your shirt to within an inch of its life if you please, but I’m still going to find that I want to watch the jumpers and spinners. That said, I admit a little bit of presentation is really necessary. The guys who are only good jumpers do as little for me as the ones who are graceful as all get out but can’t land a lutz. My favorite skaters this year were France’s Florent Amodio and the Japanese trio of Daisuke Takahashi, Nobunari Oda, and Takahiko Kozuka. All four are compact, speedy jumpers with just the right amount of showmanship.
Of course, the big story now that it’s all over is silver medalist Evgeny Plushenko’s less-than-gracious behavior toward gold medalist Evan Lysacek. Now, there’s no doubt that Plushenko is one of the best jumpers in the sport, maybe even the best. He lands a quadruple toe loop in combination, which no other competitor did during this Olympics. Apparently Plushenko has complained that Lysacek won on artistic rather than athletic merits. Surprisingly, even though Lysacek’s program was much more fluid and heartfelt, the two contenders earned identical artistic marks in the long program.

To my admittedly untrained eye, it seemed clear that Lysacek skated a superior program on the final night. His jumps were spot-on, his footwork and spins were precise, and he skated with passion. Plushenko, on the other hand, executed his jumps but didn’t seem to infuse his routine with any joy at all. Granted, there’s probably no mark for enthusiasm, but let’s be honest. In figure skating, showmanship counts nearly as much as being able to land a triple flip. If you go out onto the ice and skate like the medal is owed to you, don’t be surprised when it’s given to someone who skated instead like he wanted to win it on his own terms. For all his impressive and well-earned victories of the past, Plushenko showed a sad and distinct lack of sportsmanship in Vancouver – and that was before he awarded himself a platinum medal.

If he does skate for gold again at the 2014 Games, let’s hope he brings a bit more humility and fire to the ice.
Velocibadgergirl’s skating experience is limited to doing a lot of rollerblading in middle school, being able to skate carefully around and around on an ice rink without falling down, and watching several Olympics’ worth of figure skating competitions (bouts? matches?). She lives in the Midwest with her husband, baby son, and handsome dog, and blogs at Pardon the Egg Salad.